Once in a long while do you come across such a book that’s a sheer pleasure to read. Every line, every word, so perfect and such poetry. I’m a sucker for good prose (even if the story is hardly there!) and this is just my kind of book. And to think this is the author’s debut novel. Bravo!
I loved Astrid Magnussen. I hated Ingrid Magnussen. The 3 days it took me to read the book, I was living with Astrid. The string of foster homes, the good ones and the bad. When she ached for her mother, I was there feeling her loneliness. When she found her light at the end of the tunnel, I was there cheering for her, but at the same time, praying that it doesn’t get messed up, that it’s not just a dream she wakes up from. It’s that powerful a book, the way it makes you identify with everyone. I don’t know how Janet Fitch does it, but she did – we look at the characters the way Astrid does, we feel what she feels, our perspective changes when hers does. We love Ingrid. Then we hate her. Then we’re confused. Just. Like. Astrid.
On a side note, I’ve always been enthralled by the oleander flower (in Tamil it’s called arali) – when I was a child, we had a shrub in a neighbor’s garden and I remember being warned by the adults that it was poisonous and not to ingest it. And oh, most Tamil movies in a rural setting had at least one or two women committing suicide by eating ground arali seeds! Ah, well. 😀
The theme of the book reminded me of another coming-of-age book I read recently – Donna Tartt’s The Goldfinch. I found Tartt a bit of a chore to read at times and I definitely found the book long by half. But where Tartt lost me, Fitch just had me wrapped up in beautiful prose and kept me in that cocoon for days, snug and comfortable in the sweet melancholy of those words. I remember feeling greedy and hungry when reading the book – my eyes would jump to the next line, next paragraph and I had to pull them back and savor the words at hand. (Afterthought – I felt so when I was reading Atwood’s The Handmaid’s Tale).
This story of a mother and daughter has sadness, but it’s not sad. There’s a constant glimmer of hope, of good things even amid the despair and loss. And that’s probably what I loved (I felt the Goldfinch was very sad) about this book. I don’t know if I will read it again, but I will always remember this feeling I have now, of quiet contentment and calm that comes when a great thing ends but envelops us with a gentle hug and whispers that it will be back soon.